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and the outer bowl acts as the saucer
wet clay before it is fired—a nod to Japanese techniques called “inamun” and “mishimade”
The sunflower oil makes a bit softer soap that’s very moisturizing
A pair reminiscent of classical bottles with tension from the extreme change in the curve of the profile
An essential oil blend creates a scent reminiscent of the ocean
#7 Large Torso Vessel GAP and the outer bowl actsAkio Nukagas work explores the possibilities of how he leaves a trace of himself in clay. This piece features his signature Pleated Work technique of carving grooves into the wet clay after it is thrown on the wheel. The forminspired by ancient earthenwareis accentuated by these grooves curving down the profile of the vessel creating movement and rhythm. After the first firing and before the second, he finishes the vessel by applying different colored
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